Apparently, I buy too many records

My wife Helen, like every other woman i've ever lived with, believes that I buy too many records.

Which, as every record-buying man knows, is a ridiculous belief.

I will concede, however, that I do indeed buy a lot of records and that I don't afford them the same amount of listens and attention that I did 20 or 30 years ago.

To this end, I have decided to blog about the records that I buy, in order to help my appreciation of them - and perhaps to show Helen that I don't buy that many records after all.

Because i'm crap with deadlines the blog posts will be sporadic and probably be about a month or 2 behind but that's just the way i am! The posts will not necessarily be actual reviews (most likely comments, at best) and will generally be pretty damn short due to the reasons outlined above. As a writer in a previous existence i have decided not to worry about writing as art in the pieces but, instead, to attempt to convey feeling over semantic (and often grammatic) perfection.

And 'OCRB'? It stands for 'Obsessive Compulsive Record Buying' - a little known mental health affliction that is potentially damaging to the bank account but ultimately life-affirming. It is sad.......but a nice form of sad.

Friday 11 February 2011

I Am David Sparkle: This is the New (Kitty Wu)

A rare CD purchase but one totally justified by the amazing artwork and construction of the piece. It comes as a small handstitched booklet, with each of the pages folded over and then stitched in again so as you can see inside the fold. The pages (and folded-in pages as well) are covered in delicate line patterns that appear to be computer created and the CD is actually stitched into one of the folds. Avoiding my normal cack-handed manner, i gently unpicked the stitches in order to slide the CD out and finally managed to get it in the player.....only to find that this Singapore band do a very good impression of early Mogwai with an extra twist being that they've got a better ear for a melody and can control their instruments a lot better - the songs are relatively brief and never outstay their welcome. Actually, the Mogwai comparison is a bit lazy and obvious - when really they are so much more than the sum of their influences, the wobbly guitar sound at the beginning of 'Do you cry while you sleep?' is particularly lovely (as is the piano in the background later on in the song). The glitch electronica elsewhere on the album is another welcome surprise. Maybe Singapore is an untapped resource for instrumental post-rock.......and maybe Mogwai should invite them to support them on their next Asian stadium tour.......................................

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